“Greenaway’s obsessive aesthetic measures labor in hybrid forms that venture beyond the traditional territory of film, reaching for that intersection of the map, the wall, and the screen.” 但是在我看來格林納威的空間本身（空間的圖像而不是展覽圖像的方式）好像不是給人居住的而是如畫廊里的畫一樣供人欣賞的泛著光澤的物世界和畫空間最終呈現出尼采所言“內在的幻覺世界的美麗外觀（schein）”小偷阿星這種外觀（appearance/illusion）建造大概就是格林納威“瓦解邊界”的核心